The themes and obsessions presented explore the boundaries of memories, intuitions, and past conventions, as they are interpreted and presented through a personal narrative. Through "reorganizing" our perception of the world, I explore the nature of image making and the role of the artist in the production of familiarity and recollection. Through this process I attempt to reconnect with the primary experience of the original event portrayed. This method becomes a systematic search for the remnants of the past. The investigation of various institutions, including our relationship with geography, mechanical and social structures, as well as, time and memory become the foundation. By combining the visual elements of maps, illustrations, mechanical and natural forms to explore themes of passage and healing, I challenge to redeem the automatic image by re-organizing it. These connections coexist as metaphors most often discovered by chance, in an effort to represent a link to memory, as if the mind were some sort of meticulous transcriber of our experiences.